| HAL: hal-00541776, version 1 |
| DOI: 10.1007/s00146-011-0340-8 |
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| AI&Society, Journal of Knowledge, Culture and Communication 24, 1 (2012) 245-255 |
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| High level control of sound synthesis for sonification processes |
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| Richard Kronland-Martinet 1Solvi Ystad 1 |
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| (2012) |
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| Methods of sonification based on the design and control of sound synthesis is presented in this pa- per. The semiotics of isolated sounds was evidenced by performing fundamental studies using a combined acoustical and brain imaging (Event Related Poten- tials) approach. The perceptual cues (which are known as invariants) responsible for the evocations elicited by the sounds generated by impacts, moving sound sour- ces, dynamic events and vehicles (car-door closing and car engine noise) were then identified based on physical and perceptual considerations. Lastly, some examples of the high-level control of a synthesis process simulat- ing immersive 3-D auditory scenes, interacting objects and evoked dynamics are presented. |
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| 1: | Laboratoire de Mécanique et d'Acoustique (LMA) |
| CNRS : UPR7051 | |
| 2: | Institut de neurosciences cognitives de la méditerranée (INCM) |
| CNRS : UMR6193 – Université de la Méditerranée - Aix-Marseille II | |
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| Subject | : | Computer Science/Sound Cognitive science/Neuroscience Physics/Mechanics/Acoustics Engineering Sciences/Acoustics |
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| high-level control – invariants – synthesis – semiotics |
| hal-00541776, version 1 | |
| http://hal.archives-ouvertes.fr/hal-00541776 | |
| oai:hal.archives-ouvertes.fr:hal-00541776 | |
| From: Solvi Ystad | |
| Submitted on: Wednesday, 1 December 2010 11:04:46 | |
| Updated on: Monday, 7 May 2012 12:18:46 | |