Claude Simon, La phénoménologie du réel
Résumé
Just like the phenomenology tries to seize the essence of the received object, the simonienne intentionality, by a writing of the perception, feeds the description by hiding nothing of its condition if we pay attention on the uncountable details which compose her, spread out as so many elements fertilizing the mental images. In the narrative, every unnecessary detail does not thus appear as an obstacle; it intervenes to slow down the progress, never to stop the narrative flow. If the extreme attention carried retail confronts with the perception of things, it is to mean that their essence can be never seized with certainty, giving itself in fact as eminently hypothetical.
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