Physical models for the visualization of animated images "from the physical model to the eye"
Résumé
The creation of animated images consists of working on both movement and image itself. This paper falls within the framework of a reflection on the properties of image and its creation processes within the double context of animation and artistic creation. The first part of this paper is a general presentation of the problem and the different research questionings that it raises. The following part is a presentation of the first studies that we have carried out on these subjects. We will briefly examine the situation of image synthesis today in order to propose image creation modalities that be better suited to artistic creation than those that are usually used for realistic visualization. In the case of animated images, the properties inherent in motion and those inherent in each image reinforce or cancel each other depending on each individual case. Consequently, we must study the properties of images when it is meant to support motion.
Origine : Fichiers produits par l'(les) auteur(s)
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